Picture Your Lucio Fontana On Top. Read This And Make It So

Imperfection
Concepts such as art and life should be interspersed with one another because there is no reason for keeping a distance between human work and the human. Life is art (creative energy sexual) Who would have thought that? The most fascinating art is one which talks about life, that unravels various experiences, recounts details, curiosities, points of view.

When it comes to life it is imperative to disbelieve the notion of a perfectionism that can be achieved (in order to respond to this kind of expectation The only art that we can think of is that of cinema). Failure is the hallmark of being Human The stumbling block upon which we've been at one point or another: superficial judgement, haste, fear or anger, the unending desire for safety and control bad choices. Do you think you've not made any of these mistakes?

Open: a new perspective from which to see
If we slip, we hurt ourselves more or less intensely and tend to look at the cause of our fall, and to think that the mistake was a result our expectations hold of ourselves and other people. The injury is actually the place that we are able to see the truth. From there, we stop taking refuge in the idea of perfection (which should be the case if it shouldn't be hurting) and take a look at what is broken: we look through the wound and examine ourselves.

Fontana cut with the awareness the possibility of opening up, breaking or tearing since destruction is often the strongest creative act, all the more so in a world where, from an early stage, we're immersed in a strong, impregnating model of belief and values. It's no accident that Fontana declared in 1963 during an interview with Nerio Minuzzo that:

"The critics have always maligned me, but I have never was concerned about it. I went on regardless and I never took any kind of salute. For years they called me "the guy that has the holes', with a little pity. Today, I realize that my holes and cuts have created a taste, are accepted, and even have practical uses. In theatres and bars, they make ceilings with holes. Since today, as you can see that people in street are aware of the new ways of life. The artists are the ones however, who are the only ones to understand little '.

When Fontana speaks of streetspeople, he evokes the image of imperfection where the hole is an identical form to every other one that the emergence of life is manifested. Fontana isn't afraid of dirt , nor of the violence of the creative act and throws tar at an artifact made of plaster of a man , and names it 'Black Man'.

Years later, the cut is transformed into the conquest of space, in the sense of an attempt to overcome painting and sculpture, through the creation of a new dimension that includes them both: a break from verticality, in favor of the possibility of crossing.

This pulsation, which is triggered by inhaling and exhaling of the canvas is reminiscent from a distance, in a more intellectual and bourgeois version of the work Gina Pane would later do on her skin: the gesture is nevertheless the timeless protagonist in that context where art is destined to be destroyed; the wound and the cut are border, path and exchange.  lucio fontana price  opens the canvas in two and declares it to be finite. the holes are transformed into black holes that give depth and make us perceive the infinite that we will never understand.

Wait: new things we don't yet know
Fontana called the cuts "Waits," which are the openings from which new and new things are born which we don't are aware of.

When we commit a mishap and hurt or harm another person injuring or hurting another, we need to wait for a time before the reaction. The first reaction is the shock of making a mistake and the failure to overcome, and then figuring out what way to go to make up for it or avoid it and then waiting for the consequences of the fracture, that mistake that could turn out to be an entirely new source. It could also be a waste of time.

A few people have understood (and do not comprehend) this concept because they are constantly judging the way that human beings and reality ought to be, and how they should be compared to the two-dimensionality that is the nature of canvas. We keep fighting with all of our might the right methods, the correct way to appear and be in society, so much that we rely on norms that ultimately define the concept of normativity.

It's impossible to find anything more confusing. Convinced that we know everything that we do, we compare our standards to every other organism and ecosystem on the planet However, we view it from a narrow , biased point of view that has nothing to do with reality: Anthropocentrism as well as personal interpretations of the other which are almost never the correct ones.

Accept that there is no perfection in the sense of absolute perfection.
This also applies to our society, which demands to be the best at all costs, without considering that, instead of raising standards, we should learn to be more accepting of things just the way it is. Do we accept pain? Do we accept death? Do we accept bodies? Do  OAI  accept diversity? And, most importantly, once accepting, do we respect our differences?

Very often no is it that we are able to hide the things that do not match the 'perfection' of our very own planet or the entire universe. This causes us to be shocked, angry, disgusted to be pushed aside, or swept under the carpet, and so we manifest our imperfections, which we actually are, but we refuse to accept it.

Being aware of one's limits is crucial as is recognizing the interconnectedness of everything in the world system: either we are ALL placed in a position where we can give our best or there is no incentive or competition worth the effort with the sole purpose of fuelling inequalities. It is all well and great that some people after many hours of work have succeeded, like those who are so fortunate. However, in a larger sense, constantly stretching the boundaries just a bit further it's a perfect' in an impermanent situation; not a 'Perfection' in the absolutist sense.

Can this be a reality?

Cut Let the truth come out
We can conclude that Fontana was a tyrant, as from the beginning, he resisted the straightforward paths of success, preferring to try out the untested and the uncertain, that is to say, he renounced the notion of being the one that was successful, he pursued the research path that led him to unravel certain facts.

In my personal opinion, Fontana is the one who cuts the veil and allows the light in, even though he put obscuring black sails in the background. An artist of spatial art and one of the forerunners of that art understood not only as a work but as a gesture, a gesture, around and as a result of action on space, performance as the activation of a narrative, and this is the way it is practised today.

His cuts are a great example of this, opening up new perspectives on art, new points of view about the world and new questions. The wound that he has caused is not just pain, the wound is a symbol of mortality, shortness, uncertainty and fragility. The wound makes us think and makes us think how we can improve our lives, and this is essential to keep our feet grounded. As difficult as it is to endure and as hard as it is in a perfect narrative of existence it would be wonderful (and just) to learn only through positive reinforcements, as long as we as a society do not want to be a part of each other's suffering as much than our own, we're bound to remain in the unsolved and incomplete reality.

So let's enjoy the cinema and its happy endings its beauty and perfection that is taken for granted , and that we mistakenly end up taking as a model of life since the visual arts contrary to what they appear are the children of suffering, and any artist, to speak the truth, had to go through the pain.